SHARON DEN ADEL Explains WITHIN TEMPTATION’s Decision To Release ‘Bleed Out’ Album Independently

In a new interview with Metal Kaoz, WITHIN TEMPTATION singer Sharon Den Adel spoke about the band’s decision to release its latest album, “Bleed Out”, independently, having parted ways with the Vertigo label. She said (as transcribed by BLABBERMOUTH.NET) “I did this participation with [Dutch trance DJ] Armin Van Buuren once — I wrote a song together with him — so we tasted a little bit of the dance music and we saw that they were doing things so differently, knowing him, knowing the scene and starting to watch what they were doing. They were actually just doing it so not traditionally, as in rock music is known for and metal music. So they are way more fluid in when they can release something. They say, ‘Oh, I’m gonna write a song and I’m gonna release it two weeks from now.’ They can do that. It’s because they think differently and it’s a different ballgame. And we felt, like, ‘Why aren’t we doing that? Why are we always restricted to writing a complete album? And then writing certain songs that you feel are essential or in the moment that you have to release now, because if it ends up on the album, three years later, everybody has talked about it; it’s not important anymore.’ And they’re, like, ‘Oh my God. Are they still talking about that? That was three years ago.’ That really feels stupid to me. And so we told the record company, ‘Can we please just release some songs? Because the album’s not going to be out there yet, and we’re going on tour with EVANESCENCE. And they said, ‘No. We can’t do that, because we’re traditional. We don’t know how to cope with that different way of releasing.’ And they still had an option for a new album. And we said, ‘Well, then we would like to break up the contracts and go our own way.’ And they said, ‘Well, maybe you should, because we don’t see how we can do this with you.’ And we were happy they let us go.”

She continued: “[2019’s] ‘Resist’ [album from WITHIN TEMPTATION] was very successful for [the record label], but still, I think that they would not have had happy campers in their company with us [being around]. [Laughs] We’re not the easiest maybe also. But in the end, it was the best way and I’m really happy it went the way it is. And it gave us the opportunity to do it our own way. On the other hand, it is more work, because we have to hire now people to do the job that a record company normally does. And you have to think about budgets and stuff like that. Who are you gonna do interviews with? How many interviews? Organize press agents all over. It’s, like, oh my God. It’s a company on its own. But, luckily, we have a management that does take most of that away. Of course, we have to come up with the ideas and give the goals and everything, but they work it out for us. And so we are not involved in that part, because it takes so much energy away from writing music and being creative, of course, which, you as an artist, never want to [deal with]. You just want to [be], like, ‘They do that.’ And I’m so happy they do that, because they’re good at it. And I don’t wanna do this. But then, now it’s forced upon us again to do those things as well. And it gives you more freedom, and that’s what we wanted.”

“Bleed Out” signifies a bold leap forward for the band. From contemporary, hard-hitting, and djenty riffs to soaring melodies displaying their symphonic roots, WITHIN TEMPTATION has created a sonic journey that fuses diverse musical styles and thought-provoking themes. This is an album that is as epic as it is unflinchingly outspoken, and now more than ever, this is a band who isn’t afraid to make a stand on issues the members care about.

Since the start of the war in Ukraine, WITHIN TEMPTATION have shifted their focus from writing about personal emotions and societal subjects to tackling global injustices and reflecting the tumultuous state of the world in a way that other artists seem unable or unwilling to do.

While songs such as “Wireless” and “We Go To War” examine the authoritarian aggression on display in Ukraine and other warzones, the title track itself addresses the plight of women fighting for their rights in Iran after the murder of Mahsa Amini.

The album also grapples with the complex issues around a woman’s right to choose in recent single “Don’t Pray For Me” and throughout, this impassioned and political focus is reflected in the intensity and heaviness of the music. Embracing a new era of musical exploration and lyrical depth, WITHIN TEMPTATION have pushed boundaries and showcased their artistic evolution, delivering a fist-in-the-air proclamation of both their moral convictions and their fearless approach to music.